Michael Arcega is an interdisciplinary artist working primarily in sculpture and installation. His research-based work revolves largely around language and sociopolitical dynamics. Directly informed by Historic narratives, material significance, and geography, his subject matter deals with circumstances where power relations are unbalanced.
As a naturalized American, his investigation of cultural markers are embedded in objects, food, architecture, visual lexicons, and vernacular languages. For instance, vernacular Tagalog, is infused with Spanish and English words, lending itself to verbal mutation. This malleability result in wordplay and jokes that transform words like Persuading to First wedding, Tenacious to Tennis Shoes, and Masturbation to Mass Starvation. His practice draws from the sensibility of the insider and outsider- jumbling signifier, material, linguistics, and site.
Michael has a BFA from the San Francisco Art Institute and an MFA from Stanford University. His work has been exhibited at venues including the Asian Art Museum, Museum of Contemporary Art in San Diego, the de Young Museum in San Francisco, Yerba Buena Center for the Arts, the Orange County Museum of Art, The Contemporary Museum in Honolulu, the Museum of Fine Arts in Houston, Cue Arts Foundation, and the Asia Society in NY among many others.
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